We found out that for shootings with digital acquisition formats like the Red One and Arri Alexa cameras or especially with highspeed productions (e.g. with Phantom or Weisscam) there is a need for proper onset control, because we experienced problems in color grading that could’ve been easily resolved on set.
To create such a control station we built a mobile workstation hosting a lot of storage, computing power and monitors that reside in the back of a nice and comfortable Multivan.
•Data management and backup on scalable storage array
•Realtime playback of all raw-fileformats in HD and 2k resolution
• Basic colorcorrection
• Preview editing using Final Cut Pro
• File conversion
• Full HD Monitoring
• Optional: Projection with full HD beamer for dailies screening
The van including a trained operator is available with different hardware options for rent on an hourly or daily basis. We gladly offer you package deals including colorgrading in our suite.
Oscar®-winning Director of Photography Anthony Dod Mantle in our van on the set of Antichrist (dir: Lars von Trier) with digital camera supervisor and B camera operator Stefan Ciupek.
